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Welcome to the Whitney's online Press Office. Members of the media may view and download information for current and upcoming exhibitions and programs, access the press release archive, and download high-resolution images and video. 

Images, Video, and Information

The Whitney's building viewed from Gansevoort Street
The Building
Charles Demuth (1883 1935).  <i>Buildings, Lancaster</i>, 1930.  Oil and graphite pencil on composition board, 24 1/8 × 20 1/8in. (61.3 × 51.1 cm).  Whitney Museum of American Art, New York; gift of an anonymous donor  58.63
Where We Are
April 28, 2017–
Annette Lemieux (b. 1957), <i>Black Mass</i>, 1991. Latex, acrylic, and oil on canvas, 95 13/16 x 105 x 1 13/16 in. (243.4 x 266.7 x 4.6 cm). Whitney Museum of American Art, New York; promised gift of Emily Fischer Landau  P.2010.173 © Annette Lemieux
An Incomplete History of Protest: Selections from the Whitney’s Collection, 1940–2017
August 18, 2017-August 27, 2018
Christine Sun Kim (b. 1980), <i>Too Much Future</i>, 2017. Charcoal on paper, 17 1/8 x 29 1/8 in. (43.5 x 74 cm). Collection of the artist. Image courtesy Sirio Magnabosco
Christine Sun Kim: Too Much Future
January 29,
2018-
Rendering of the proposed project,<i> Day’s End </i>by David Hammons, as seen from the Whitney Museum of American Art. Courtesy Guy Nordenson and Associates.
Proposed Public Art Project
David Hammons, Day’s End
Carolina Caycedo, Esto No Es Agua / This Is Not Water (still), 2015. 1 channel HD video, sound by Daniel Pineda, 5 min. 20 sec. Courtesy the artist.
Between The Waters
March 9, 2018–July 22, 2018
Mary Corse (b. 1945),<i> Untitled (Electric Light)</i>, 1968/2017. Argon, Plexiglas, high frequency generator, light tubes, monofilament, 48 × 48 × 6 in (121.9 × 121.9 × 15.24 cm). Courtesy Kayne Griffin Corcoran, Los Angeles, and Lehmann Maupin, New York and Hong Kong. Photograph © Mary Corse
Mary Corse: A Survey in Light
June 8, 2018–November 25, 2018
Clarissa Tossin, <i>Ch’u Mayaa</i>, 2017, production still. Choreography/Performer: Crystal Sepúlveda; Cinematography: Jeremy Glaholt. Originally commissioned and produced by the City of Los Angeles Department of Cultural Affairs for the exhibition "Condemned to be Modern" as part of Getty’s "Pacific Standard Time:LA/LA." Courtesy the artist
Pacha, Llaqta, Wasichay: Indigenous Space, Modern Architecture, New Art
Jul 13–Sep 30, 2018
David Wojnarowicz,<i> Untitled (One day this kid . . .)</i>, 1990. Photostat, 30 × 40 1/8 in. (76.2 × 101.9 cm). Edition of 10. Whitney Museum of American Art, New York; purchase with funds from the Print Committee 2002.183. Courtesy of The Estate of David Wojnarowicz and P.P.O.W Gallery, New York, NY
David Wojnarowicz: History Keeps Me Awake at Night
Jul 13–Sep 30, 2018
Kevin Beasley, <i>Rebuilding of the cotton gin motor</i>, 2016. Courtesy of the artist and Casey Kaplan, New York. Image courtesy of Carlos Vela-Prado.
Kevin Beasley
Fall 2018
Andy Warhol (1928-1987), <i>Green Coca-Cola Bottles</i>, 1962. Acrylic, screenprint, and graphite pencil on canvas, 82 3/4 × 57 1/8 in. (210.2 × 145.1 cm). Whitney Museum of American Art, New York; purchase with funds from the Friends of the Whitney Museum of American Art 68.25. © 2017 The Andy Warhol Foundation for the visual Arts, Inc./ Artists Rights Society (ARS), N.Y.
Andy Warhol—
From A to B and
Back Again

November 12, 2018– March 31, 2019
Sibyl Kempson, 12 Shouts to the Ten Forgotten Heavens
Sibyl Kempson: 12 Shouts to the Ten Forgotten Heavens
Flash: Photographs by Harold Edgerton from the Whitney’s CollectionMarch 30– July 15, 2018
Flash: Photographs by Harold Edgerton from the Whitney’s Collection
March 30– July 15, 2018
Eckhaus Latta, Untitled (Preparatory drawing for Possessed), 2018. Colored pencil on paper. Image courtesy the artists
Eckhaus Latta: Possessed
August 3– October 8, 2018
Roy Lichtenstein Study Collection
Roy Lichtenstein Study Collection
The Face in the Moon: Drawings and Prints by Louise NevelsonOpens July 20, 2018
The Face in the Moon: Drawings and Prints by Louise Nevelson
Opens July 20, 2018

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