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Welcome to the Whitney's online Press Office. Members of the media may view and download information for current and upcoming exhibitions and programs, access the press release archive, and download high-resolution images and video. 

Images, Video, and Information

The Whitney's building viewed from Gansevoort Street
The Building
Alexander Calder (1898 1976). <i>The Arches</I>, 1959. Painted steel, 106 × 107 1/2 × 87in. (269.2 × 273.1 × 221 cm).  Whitney Museum of American Art, New York; gift of Howard and Jean Lipman  82.44a e © 2017 Calder Foundation, New York / Artists Rights Society (ARS), New York. Photograph Jerry L. Thompson
Calder: Hypermobility
June 9–Oct 23, 2017
Laura Owens, <i>Untitled<i/>, 1998. Acrylic on canvas, 66 x 72 in. Courtesy the artist / Gavin Brown’s Enterprise, New York and Rome; Sadie Coles HQ, London; and Galerie Gisela Capitain, Cologne. © Laura Owens
Laura Owens
Nov 10, 2017–Feb 4, 2018
Charles Demuth (1883 1935).  <i>Buildings, Lancaster</i>, 1930.  Oil and graphite pencil on composition board, 24 1/8 × 20 1/8in. (61.3 × 51.1 cm).  Whitney Museum of American Art, New York; gift of an anonymous donor  58.63
Where We Are
April 28, 2017–
Sibyl Kempson, 12 Shouts to the Ten Forgotten Heavens
Sibyl Kempson: 12 Shouts to the Ten Forgotten Heavens
Annette Lemieux (b. 1957), <i>Black Mass</i>, 1991. Latex, acrylic, and oil on canvas, 95 13/16 x 105 x 1 13/16 in. (243.4 x 266.7 x 4.6 cm). Whitney Museum of American Art, New York; promised gift of Emily Fischer Landau  P.2010.173 © Annette Lemieux
An Incomplete History of Protest: Selections from the Whitney’s Collection, 1940–2017
August 18, 2017-
Toyin Ojih Odutola. <i>Wall of Ambassadors</i>, 2017. Charcoal, pastel and pencil on paper, 40 x 30 inches. ©Toyin Ojih Odutola.  Courtesy of the artist and Jack Shainman Gallery, New York.
Toyin Ojih Odutola: To Wander Determined
October 20, 2017-
Jimmie Durham, <i>Self-Portrait Pretending to Be a Stone Statue of Myself</i>, 2006. Color photograph. Edition of 1 + 1 AP. 31 ¾ × 24 in. (80.7 × 60.9 cm). Collection of fluid archives, Karlsruhe. Courtesy of ZKM Center for Art and Media, Karlsruhe.
Jimmie
Durham: At the Center of the World

November 3, 2017-January 28, 2018
Rendering of the proposed project,<i> Day’s End </i>by David Hammons, as seen from the Whitney Museum of American Art. Courtesy Guy Nordenson and Associates.
Proposed Public Art Project
David Hammons, Day’s End
 Experiments in Electrostatics: Photocopy Art from the Whitney’s Collection, 1966–1986 November 17, 2017-
Experiments in Electrostatics: Photocopy Art from the Whitney’s Collection, 1966–1986
November 17, 2017-

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